DeRosa and Jhangiani on Open Textbooks*

This week’s readings bring us a variety of perspectives and thoughts on the use of Open Educational Resources and Open Textbooks.  Robin DeRosa, a professor at Plymouth State University in New Hampshire, discusses the multiple considerations in adopting Open Education Resources in her essay, “OER: Bigger Than Affordability.” While DeRosa points out that OERs can be an economical choice for the college/university classroom, she also challenges educators to rigorously question the concept of open. DeRosa reminds us that OERs are not just about cost but they are intrinsically tied to issues of social justice and who has access to knowledge and who does not. DeRosa also underscores the relationship between OERs and technology and how this intrinsic relationship can actually detract from the openness of a given resource. As all of us scramble to flip our courses to distance-learning formats, how are we considering these challenges while keeping in mind that not all of our students will have access to the necessary technologies to continue their educations this semester?

A pioneer of the Open Textbook movement, Rajiv Jhangiani offers his thoughts on how faculty view OERs in his essay, “A Faculty Perspective on Open Textbooks.” Jhangiani offers possible faculty perspectives on the moral, financial and pedagogical benefits of adopting open textbooks in the higher ed classroom, highlighting the flexibility and effectiveness of open textbooks. While advocating for the use of open texts, Jhangiani also highlights another important issue related to open textbooks – faculty labor. The development of open texts is largely left to faculty, often with little to no institutional support.  While administrators frequently support the idea of OERs and Open Texts, colleges and universities need to create more effective systems of support to assist faculty in the creation of OERs and supporting materials.

With the work of DeRosa and Jhangiani in mind, and with our work this week to create accessible courses for our students during this unprecedented time, I wanted to leave you with some questions to ponder for our virtual meeting on Monday:

  • How are OERs and open texts that much more important during times like this? How would OERs/open text aid courses that need to move online quickly?
  • What does “open” really mean when we talk about OERs and open textbooks? What are the multiple levels of considerations needed when faculty are trying to create something that is truly open?
  • Lastly, and related to the closing of Jhangiani’s essay, take five to ten minutes to imagine what the ideal open textbook would look like for one of your courses? What is the content? How is it structured? How is it accessible? And what voices are represented therein? Taking time to envision these considerations may help us one day create them.

* Please note that the Salter reading is currently unavailable online.

Strategies for making Blackboard less awful for our students

I hate Blackboard, but for the time being I’m using it with my students in my undergrad Education class anyway. Our readings and class discussions, especially last week, gave me a lot of very helpful strategies I can use, and am using now, to try to make Blackboard work as well as possible for my students. If you have any practical tips for what you do (or don’t do) to make Blackboard actually work well as a learning tool, I would love it if we could gather and share them here.

Meanwhile, I’m especially thankful to Ayo for the reminder that the best way to find out what works (and what doesn’t) for students is to ask them, so I did that today. By doing so I learned something very useful that I thought might be helpful to others:

Apparently when students are using Blackboard on mobile devices they can’t access any Word documents or PowerPoints that are uploaded. However, they can access PDFs. I didn’t know that – and had uploaded all kinds of assignment guidelines, my syllabus, etc. that were either in Word or PowerPoint. So, now I’ll be converting all of those to PDFs and re-uploading them – and making sure I convert to PDF any other files I might share in the future.

As I mentioned in class, another strategy I use is NOT to require students to submit any assignments on Blackboard – they’re required just to e-mail them directly to me. This seems to work well for everyone, including me.

Apologies if any of this is very obvious to some or all of you – I’m guessing that I may not be the only one who is new at this and still figuring it out. Thanks!

Bean: Critical Thinking and Writing

In Engaging Ideas: The Professor’s Guide to Integrating Writing, Critical Thinking, and Active Learning in the Classroom, John Bean discusses the link between writing assignments and critical thinking, and provides numerous suggestions for instructors to incorporate the two into their own courses. Students should be seen as more than just an empty repository for us to dump all of our course content into; we should also focus on developing students’ skills in engaging with the material, thinking critically about it, and considering other sides or opinions to an argument or theory presented. Writing, Bean argues, allows for this process of critical thinking to occur (including through writing and revising multiple drafts of an assignment), and a final written product is evidence of the critical thinking process. Bean also discusses the importance of including writing assignments that are more exploratory and personal, as opposed to only teaching professional, academic writing. Incorporating different kinds of writing assignments can help students find a writing style that works for them with while giving them experience with forms of writing that they are less comfortable with. Different students may excel at and benefit more from one type of writing assignment over another; there isn’t a best or one-style-fits-all assignment that can facilitate the development of critical thinking, and these differences and different ways of developing critical thinking skills should be taken into account as we develop our courses.

With this in mind, I have some questions for us to consider:

  • Do you include writing assignments in your course? If not, does one of the misconceptions about writing and critical thinking prevent you from doing so? If so, do you agree with Bean that these misconceptions are actually misconceptions?
  • Bean states that “teachers need to articulate where they stand with regard to traditional academic writing” (50). Where do you stand? Do you feel it is more important for students to complete more academic writing assignments in your course, or do you emphasize more personal or expressive writing?
  • In Chapter 2, Bean discusses that college students focus more on right answers than on making an argument and defending it while considering counterpoints to their chosen argument. Do you think that high school adequately prepares students to begin thinking beyond being right, or that high schools should place more emphasis on the development of critical thinking and writing skills for all students? Should developing these skills be primarily on the shoulders of undergraduate instructors?
  • What modes of assessment do you use in your classes? Do you rely on primarily one method to make up the bulk of a student’s grade, or do you use multiple kinds of assessments and assignments? Do the same students succeed on all the assessments you use, or is there a noticeable difference in students’ work and ability across assignments? Do you take students’ differences into account when designing your course?
  • Though Bean focuses on the struggles of college students, we as graduate students spend a significant chunk of time writing. Do you face any struggles with your writing and writing process, and how do you overcome them?

Final Project and Presentation

Final Paper Assignment for Core II

Your final work for Core 2 is to produce a project proposal that includes a basic proof of concept. Yes, we will be reading it for a grade, but your true audience for this proposal are the gatekeepers who hold institutional purse strings, allocate resources and space, approve curriculum, or administer technology resources. Your job is to convince this hypothetical reader that your project is intellectually and/or pedagogically vital, builds on but doesn’t duplicate existing work, is done in the most effective and efficient way possible, uses the right tech, and most importantly: that you can pull it off in the time frame that you have available to you: the ITP Independent Study.

Your project proposal should be 12-15 pages in length. You are welcome to follow the guidelines for the NEH Digital Humanities grants, or another discipline specific set of requirements. This proposal will be the basis for your ITP Independent Study proposal. Generally, it needs to include:

  • an abstract or summary with a clear problem statement
  • a project narrative that gives the practical, historical, theoretical, and technical contexts for the project proposed
  • an environmental scan of projects that operate in a similar technical, scholarly, or pedagogical space as yours
  • a clear, relevant, and detailed work plan or project timeline
  • proof that you have a strategy to complete the project within one semester

Proposals typically include a budget; you may choose to include this, but it is not required. You may find it useful to include your personas and your use case scenarios. Some disciplines may have other, discipline specific requirements; please include those if relevant.

The proof that you can complete the project can incorporate your biography, or a description of how the proposed project builds on your previous and related work, but in this instance, you need to complete a proof of concept for the project. This will be different for each of you, but it needs to demonstrate that you have learned enough about the task at hand that you will be able to complete it. Most of this learning is technical, but it might not be exclusively technical.

Some examples of past proofs of concept:

  • When proposing a group wiki assignment, one person created a simulation of one assignment at the halfway state, with the text edited in character by the user accounts for each of the 4 personas described.
  • When proposing an online resource for images for use in teaching theatre courses, one person created a record for one image in Omeka.
  • When proposing a mobile app, one person found an open source quiz app they could build on, changed the text of one of questions, and recompiled the app.
  • When proposing a student assignment to create multimedia historical maps of NYC neighborhoods, one student created a sample map with the Google Maps API that contained a map point for each type of media expected to be used (video, audio, photograph, text).
  • When proposing a game, a student might present a draft of the game’s narrative, or presented one element of its gameplay.

You will be turning in a text, and giving a presentation. The presentation will take place on one of the last two weeks of class, May 11 or 18. These will be 10 minute presentations, with 10 minutes for discussion/feedback. We will invite all ITP faculty to join us, though we don’t expect all will be able to make it for both of the days.

Here is the grading rubric if you like that kind of thing.

The text will be due May 20th. Please upload it as a Word document to the Files area of our course group. We will not give extensions.

Midterm Assignment

Your midterm assignment will be to create a project proposal that has two scope variations: one full, and one reduced version.

Your proposal should follow this structure:

  1. An introductory descriptive paragraph, which should include a problem statement, and say *what* your tool/thing will do.
  2. A set of personas and/or user stories.
  3. A use case scenario (where would someone find your tool/thing and how would they use it). Keep it short.
  4. How you will make the full fledged version. This is your “ideal world” version that fulfills all of your visions and fantasies (what tools you will use, how you will get them, how confident you are that all the moving parts will work together, etc).
  5. Your assessment of how much time the full-fledged version will take, and how much of the skills you currently know and what you would have to learn.
  6. How you will make the stripped-down version. The stripped down version is the minimally viable product. It is the most *bare bones* version to prove that what you are trying to get at is viable. (What tools you will use, how you will get them, how confident you are that all the moving parts will work together, etc)
  7. Your assessment of how much time the stripped-down version will take, and how much of the skills you currently know and what you would have to learn.

You are welcome (but not required) to repeat the last two steps with scope variations in-between the full fledged and bare bones version.

In previous years, this assignment asked you to propose two projects. If you are, indeed, trying to choose between two projects and fleshing them both out would be useful for you, you can fulfill the midterm assignment by offering what’s above for each idea, minus the stripped-down version.

Class that week (on Monday March 30th) will be dedicated to workshopping the proposals. We will follow the following format: you will have 5 minutes to present your proposal orally (or one of your two proposals, if that applies), and we will have 5 minutes for feedback. Think of this as a pitch. You will want to lay out the project abstract, present very short versions of your personas, give one use case scenario, and then talk about how you would build it, and how long you think it would take.

You will submit your proposal to the Forum by Wednesday April 1st, which will give you the chance to reflect the feedback you got in class on Monday.

websites, projects and online resources for inspiration (and study breaks!)

Hi everyone, I’m starting this thread so we have a place to share any websites or other projects and platforms that we find in our travels – including any that might be directly or indirectly related to the research or project concept that one of is is working on, or just any that are interesting or inspiring… I will share a few I’ve found below, and would love it if you would do the same!

Of Affordances and Taskscapes

A follow-up to Smale and Regalado (2017), Ugoretz (2005), and Smale and Rosen (2015).

At the beginning of this semester I have asked my students at Intro to Stats course at Brooklyn college to name potential challenges that might prevent them from succeeding in class. The course requires them to submit all home assignments via Blackboard and 15% of homework questions require use of statistical software SPSS available in Computer Labs and Library on campus.

Out of 30 students who responded to my online survey, only six explicitly mentioned technology related anxieties.

One wrote “Math has always been my weakest subject and now that its on computers makes me even more stressed.”

Other mentioned “having hard time understanding SPSS”.

The majority (17 out of 30) of students mentioned having a job (or several) to be potentially limiting their academic taskscape.

Ingold—an anthropologist by training—coined the term taskscape to describe “the temporality of the landscape,” suggesting that “as the landscape is an array of related features, so, by analogy,the taskscape is an array of related activities” (158).

quoted from Smale and Regalado, 2015, p.14.

Still, the results of earlier studies by Smale and Regalado, indicate that level of technology-related barriers to learning is much higher for students in CUNY system.

So I was wondering if our group could share their own anecdotal evidence of their current/former students  (or perhaps even co-workers) having technology-related difficulties  with academic/professional practices.

  • How do you assess such barriers? And how do you adjust your teaching/professional practices to account for it?
  • Do you use open platforms mentioned by Rosen and Smale in their piece on “Open Digital Pedagogy” (WordPress, Google Sites, Tumblr,etc.) to provoke engaging discussion bypassing teacher-student hierarchy in a way suggested by Ugoretz (2005)? Perhaps you can share some rules-of-thumb that you developed by using them or express frustrations with their efficacy?
  • What institutional barriers to using technology for learning  did you notice on CUNY campuses? For example, I know that students in William James building at Brooklyn College are not allowed to work in Computer labs without instructor. I assume that this is true for BC in general. But here at the GC we can use any computer at any lounge/lab at any time! 

Productive Digressions welcome!

Teaching, Learning, Technology – Watters, Pelz, and some additional readings

             This week’s readings addressed effective pedagogy and practical teaching/learning methods. In A Hippocratic Oath for Ed Tech, Audrey Watters compares medical professions to educational ones. Although the Hippocratic Oath is not a legal document, it is a widely known set of ethics that medical professionals are expected to abide by. The main tenet of the oath is to “do no harm”. When we approach education, there are also many ethical questions we must address. Watters writes about the political and economic power sewn into the educational-technology sphere, however those who wish to teach should generally agree with the idea of “doing no harm”. Teaching is a selfless and labor intensive profession, and regardless of the amount of money available in ed-tech, I wonder how many incentives are actually obtainable by the majority of CUNY faculty. In medicine, many doctors have the opportunity to profit from the bribes and coercion of tech companies, and we hear stories of doctors straying from the Hippocratic Oath all the time.

  • If we were to adopt a sort of oath for educators, would you see this as being effective and respected by the faculty at CUNY? I don’t know what the statistics are here on instructors sponsored by Pearson, Google Certified Educators, and the like that Watters mentioned.
  • What are some messages in the Hippocratic Oath that are important in your own education or pedagogy? For me I feel it is essential to be able to admit when I do not know something, rely on and respect the knowledge of colleagues, use warmth, sympathy, and understanding, respect the privacy of students and treat them as people rather than statistics or numbers on a “chart”, and fulfill my obligation to all students regardless of their abilities.
  • What would an educational oath need to include, especially here at CUNY?

             We also read Bill Pelz’s three principles of effective online pedagogy. These were to let the students do (most of) the work, use interactivity, and strive for presence. Educators are encouraged to provide tasks for students to take the lead, interact with others, and establish presence through discussion. The presence could be social, cognitive, or teaching. Mainly Pelz seems concerned with facilitating the class through discussions either between students, with the instructor, or online. There are many examples laid out in the article of activities that fit the model.

  • This was written in 2004. I was wondering if anyone thought these techniques would be useful in their own courses. Do you already use or participate in some of these activities?

             Ryan Cordell recounts an early teaching experience with the hindsight that his proposal was rightfully turned down. He writes “How not to Teach Digital Humanities” using his own experiences. The article is mainly concerned with how to present the idea of digital humanities to undergrads who aren’t concerned with the meta-arguments and semantics of academia. He argues that we should find a new term for Digital Humanities, as these two words no longer accurately describe the study. In addition, both the title and the content often turn students away. Cordell suggests starting slowly, with small increments, scaffolding to ease students in, and thinking locally to make the matter relatable.

  • The other day I read a sign at City College calling for a student action meeting to discuss the inadequacies of everything from curriculum to MTA schedules. Do you find that CUNY students aren’t interested in the politics of academia? As Cordell says, they may find the topics of digital humanities interesting if they were introduced to it in small doses.

             I enjoyed the One Feminist Online Media Mantrafesto from Feminist Online Spaces. The “mantra” and “manifesto” essentially emphasizes the need for access to facilitate a long chain of other desires. These include, but are not limited to democracy, safe spaces, and visibility. The list starts and ends with access.

  • Is accessibility the proper starting point to create progress? This assessment seems to be fair. We need to start somewhere so why not here. Also, how can we facilitate more accessibility here at CUNY?

Finally, I just wanted to provide a space to talk about the Digital Sustainability lab we had on Monday because I feel like we rarely have an outlet to discuss it, since this is as good a place as any. While I did not find a lot of what we reviewed to be very relevant to my current project, I was wondering if anyone else had concrete plans concerning the preservation of their digital project? What are your experiences using archive.org (if any)? Also, if you are coding HTML/CSS, python, and etc, which of the tools that Stephen showed did you find most and least helpful (archive, bagit, webaim, emulation, WARC, etc)? I’ve barely gotten started learning how I might develop code, so a lot of those resources were too advanced for me, but I am interested to learn what works for others.

Collaborative Design Assignment

ITP Core 2, Spring 2020: Collaborative Assignment Design Assignment

You will collaboratively craft, with at least one student from another discipline, a scaffolded assignment for a final project in an undergraduate course that engages with one or more of the core ideas explored to this point in your ITP experience. (Your work on this assignment can link to your own final project for our class, or your own field, or a class you actually teach, but none of that is required).

We’ll give you some time for initial discussion with your partner during class on Monday, March 2nd. The assignment plan is due on Thursday, March 19th, when you and your partner will post to the course forum a final project assignment with at least three discrete, connected tasks, intended for an undergraduate course. All groups will read all assignments, and we will discuss them in the first hour of class on Monday, March 23rd.

The post should have the following elements:

  • A brief statement of the context of the course (discipline, level, institution type, instructional mode, is it real or imagined)
  • A statement about the place of the assignment within the larger learning goals of the course; why is it the final?
  • A draft of the assignment, addressed to your students
  • A statement of the technologies used in the assignment, and why
  • The criteria you’d use to evaluate the assignment

Joseph A. Torres-González

Joseph is a 3rd year Ph.D. student in Cultural Anthropology at the CUNY Graduate Center. His research interests are located in the intersections of History and Anthropology, Political Economy, Economic Anthropology, and consumption. His current research project is based in Puerto Rico, studying coffee consumption, coffee shops, baristas, and barista training schools on the island.

Joseph wears many hats at CUNY: he works as a research assistant at the CUNY Graduate School of Public Health & Health Policy in the project “Social Networks, Acculturation, and Food Behaviors and Values among Mexican-American Families” (PI, Dr. Karen Florez), where he is collaborating in the qualitative analysis of the study. Simultaneously, he is a MAGNET Fellow with the Office of Educational Opportunity and Diversity Programs at the CUNY Graduate Center, where he mentors undergraduate students who are part of the CUNY Pipeline Program. He is also an Adjunct Lecturer at the Department of Anthropology and Archaeology at Brooklyn College, where he teaches courses in Anthropology, with a particular geographic focus on Latin America and the Caribbean.

Joseph is interested in Teaching and Pedagogy, particularly in Open Educational Resources (OER), Public Scholarship, and integrating technology in the current and future courses that he teaches. Joseph also integrates technology into his research, by documenting social media traffic (Instagram posts and Facebook posts) related to coffee, coffee shops, baristas, and latte-art published by users that are part of the coffee culture in Puerto Rico. He has a Bachelor of Arts in Social Sciences from the University of Puerto Rico, a Graduate Certificate in Latin American, Caribbean & US Latino Studies and a Master of Arts in Anthropology, both from the University at Albany, State University of New York. He has been a Graduate Fellow at the Health Equity Alliance of Tallahassee – Ethnographic Fieldschool (2016, NSF – University of Florida), a Survey Assistant at the Center for Landscape Conservation (2015, San Juan, PR) and a Research Assistant at the Cuban Research Institute (2013, Florida International University).