Hi everyone, I’m starting this thread so we have a place to share any websites or other projects and platforms that we find in our travels – including any that might be directly or indirectly related to the research or project concept that one of is is working on, or just any that are interesting or inspiring… I will share a few I’ve found below, and would love it if you would do the same!
Month: February 2020
Of Affordances and Taskscapes
A follow-up to Smale and Regalado (2017), Ugoretz (2005), and Smale and Rosen (2015).
At the beginning of this semester I have asked my students at Intro to Stats course at Brooklyn college to name potential challenges that might prevent them from succeeding in class. The course requires them to submit all home assignments via Blackboard and 15% of homework questions require use of statistical software SPSS available in Computer Labs and Library on campus.
Out of 30 students who responded to my online survey, only six explicitly mentioned technology related anxieties.
One wrote “Math has always been my weakest subject and now that its on computers makes me even more stressed.”
Other mentioned “having hard time understanding SPSS”.
The majority (17 out of 30) of students mentioned having a job (or several) to be potentially limiting their academic taskscape.
Ingold—an anthropologist by training—coined the term taskscape to describe “the temporality of the landscape,” suggesting that “as the landscape is an array of related features, so, by analogy,the taskscape is an array of related activities” (158).
quoted from Smale and Regalado, 2015, p.14.
Still, the results of earlier studies by Smale and Regalado, indicate that level of technology-related barriers to learning is much higher for students in CUNY system.
So I was wondering if our group could share their own anecdotal evidence of their current/former students (or perhaps even co-workers) having technology-related difficulties with academic/professional practices.
- How do you assess such barriers? And how do you adjust your teaching/professional practices to account for it?
- Do you use open platforms mentioned by Rosen and Smale in their piece on “Open Digital Pedagogy” (WordPress, Google Sites, Tumblr,etc.) to provoke engaging discussion bypassing teacher-student hierarchy in a way suggested by Ugoretz (2005)? Perhaps you can share some rules-of-thumb that you developed by using them or express frustrations with their efficacy?
- What institutional barriers to using technology for learning did you notice on CUNY campuses? For example, I know that students in William James building at Brooklyn College are not allowed to work in Computer labs without instructor. I assume that this is true for BC in general. But here at the GC we can use any computer at any lounge/lab at any time!
Productive Digressions welcome!
Teaching, Learning, Technology – Watters, Pelz, and some additional readings
This week’s readings addressed effective pedagogy and practical teaching/learning methods. In A Hippocratic Oath for Ed Tech, Audrey Watters compares medical professions to educational ones. Although the Hippocratic Oath is not a legal document, it is a widely known set of ethics that medical professionals are expected to abide by. The main tenet of the oath is to “do no harm”. When we approach education, there are also many ethical questions we must address. Watters writes about the political and economic power sewn into the educational-technology sphere, however those who wish to teach should generally agree with the idea of “doing no harm”. Teaching is a selfless and labor intensive profession, and regardless of the amount of money available in ed-tech, I wonder how many incentives are actually obtainable by the majority of CUNY faculty. In medicine, many doctors have the opportunity to profit from the bribes and coercion of tech companies, and we hear stories of doctors straying from the Hippocratic Oath all the time.
- If we were to adopt a sort of oath for educators, would you see this as being effective and respected by the faculty at CUNY? I don’t know what the statistics are here on instructors sponsored by Pearson, Google Certified Educators, and the like that Watters mentioned.
- What are some messages in the Hippocratic Oath that are important in your own education or pedagogy? For me I feel it is essential to be able to admit when I do not know something, rely on and respect the knowledge of colleagues, use warmth, sympathy, and understanding, respect the privacy of students and treat them as people rather than statistics or numbers on a “chart”, and fulfill my obligation to all students regardless of their abilities.
- What would an educational oath need to include, especially here at CUNY?
We also read Bill Pelz’s three principles of effective online pedagogy. These were to let the students do (most of) the work, use interactivity, and strive for presence. Educators are encouraged to provide tasks for students to take the lead, interact with others, and establish presence through discussion. The presence could be social, cognitive, or teaching. Mainly Pelz seems concerned with facilitating the class through discussions either between students, with the instructor, or online. There are many examples laid out in the article of activities that fit the model.
- This was written in 2004. I was wondering if anyone thought these techniques would be useful in their own courses. Do you already use or participate in some of these activities?
Ryan Cordell recounts an early teaching experience with the hindsight that his proposal was rightfully turned down. He writes “How not to Teach Digital Humanities” using his own experiences. The article is mainly concerned with how to present the idea of digital humanities to undergrads who aren’t concerned with the meta-arguments and semantics of academia. He argues that we should find a new term for Digital Humanities, as these two words no longer accurately describe the study. In addition, both the title and the content often turn students away. Cordell suggests starting slowly, with small increments, scaffolding to ease students in, and thinking locally to make the matter relatable.
- The other day I read a sign at City College calling for a student action meeting to discuss the inadequacies of everything from curriculum to MTA schedules. Do you find that CUNY students aren’t interested in the politics of academia? As Cordell says, they may find the topics of digital humanities interesting if they were introduced to it in small doses.
I enjoyed the One Feminist Online Media Mantrafesto from Feminist Online Spaces. The “mantra” and “manifesto” essentially emphasizes the need for access to facilitate a long chain of other desires. These include, but are not limited to democracy, safe spaces, and visibility. The list starts and ends with access.
- Is accessibility the proper starting point to create progress? This assessment seems to be fair. We need to start somewhere so why not here. Also, how can we facilitate more accessibility here at CUNY?
Finally, I just wanted to provide a space to talk about the Digital Sustainability lab we had on Monday because I feel like we rarely have an outlet to discuss it, since this is as good a place as any. While I did not find a lot of what we reviewed to be very relevant to my current project, I was wondering if anyone else had concrete plans concerning the preservation of their digital project? What are your experiences using archive.org (if any)? Also, if you are coding HTML/CSS, python, and etc, which of the tools that Stephen showed did you find most and least helpful (archive, bagit, webaim, emulation, WARC, etc)? I’ve barely gotten started learning how I might develop code, so a lot of those resources were too advanced for me, but I am interested to learn what works for others.
Collaborative Design Assignment
ITP Core 2, Spring 2020: Collaborative Assignment Design Assignment
You will collaboratively craft, with at least one student from another discipline, a scaffolded assignment for a final project in an undergraduate course that engages with one or more of the core ideas explored to this point in your ITP experience. (Your work on this assignment can link to your own final project for our class, or your own field, or a class you actually teach, but none of that is required).
We’ll give you some time for initial discussion with your partner during class on Monday, March 2nd. The assignment plan is due on Thursday, March 19th, when you and your partner will post to the course forum a final project assignment with at least three discrete, connected tasks, intended for an undergraduate course. All groups will read all assignments, and we will discuss them in the first hour of class on Monday, March 23rd.
The post should have the following elements:
- A brief statement of the context of the course (discipline, level, institution type, instructional mode, is it real or imagined)
- A statement about the place of the assignment within the larger learning goals of the course; why is it the final?
- A draft of the assignment, addressed to your students
- A statement of the technologies used in the assignment, and why
- The criteria you’d use to evaluate the assignment
Joseph A. Torres-González
Joseph is a 3rd year Ph.D. student in Cultural Anthropology at the CUNY Graduate Center. His research interests are located in the intersections of History and Anthropology, Political Economy, Economic Anthropology, and consumption. His current research project is based in Puerto Rico, studying coffee consumption, coffee shops, baristas, and barista training schools on the island.
Joseph wears many hats at CUNY: he works as a research assistant at the CUNY Graduate School of Public Health & Health Policy in the project “Social Networks, Acculturation, and Food Behaviors and Values among Mexican-American Families” (PI, Dr. Karen Florez), where he is collaborating in the qualitative analysis of the study. Simultaneously, he is a MAGNET Fellow with the Office of Educational Opportunity and Diversity Programs at the CUNY Graduate Center, where he mentors undergraduate students who are part of the CUNY Pipeline Program. He is also an Adjunct Lecturer at the Department of Anthropology and Archaeology at Brooklyn College, where he teaches courses in Anthropology, with a particular geographic focus on Latin America and the Caribbean.
Joseph is interested in Teaching and Pedagogy, particularly in Open Educational Resources (OER), Public Scholarship, and integrating technology in the current and future courses that he teaches. Joseph also integrates technology into his research, by documenting social media traffic (Instagram posts and Facebook posts) related to coffee, coffee shops, baristas, and latte-art published by users that are part of the coffee culture in Puerto Rico. He has a Bachelor of Arts in Social Sciences from the University of Puerto Rico, a Graduate Certificate in Latin American, Caribbean & US Latino Studies and a Master of Arts in Anthropology, both from the University at Albany, State University of New York. He has been a Graduate Fellow at the Health Equity Alliance of Tallahassee – Ethnographic Fieldschool (2016, NSF – University of Florida), a Survey Assistant at the Center for Landscape Conservation (2015, San Juan, PR) and a Research Assistant at the Cuban Research Institute (2013, Florida International University).
The Socio-Technical Sustainability Roadmap
The Socio-Technical Sustainability Roadmap, an online training module presented by the National Endowment for the Humanities, offers a project planning guide for anyone designing a “web-based, user-facing, digital humanities project.” Poking around on the site a bit, I was curious to notice that it was hard to find any explicit mention on the site of who, exactly, the site and training program are intended for – maybe a bit surprising, since one of the key recommendations offered in the modules is that project planners should identify the “designated communities” of users for their products. Nonetheless, it’s pretty clear that the training is designed to be useful for individuals or teams working in a wide range of settings (academia, arts, public service, entrepreneurial, any combination of the above), and is relevant and helpful for us.
A key principle and purpose of the training program, as indicated in the title, is to support project planners in planning for the sustainability of their products. Coming from the world of humanitarian aid, I feel a special appreciation for their emphasis on this principle, as well as admiration for the concrete, clear approaches they offer.* Section A, the Project Survey, begins by recommending that we begin by determining what “sustainability” could and should look mean for our projects, and planning toward that vision from inception. Module 1-A, then, gives us a translation and application of the concept of “sustainability” into even simpler and more specific terms by naming and discussing the phases and sub-phases of the typical arc of the “life” of a digital product or platform. I found the descriptions of what these phases might look like especially useful in imaging concrete possibilities for my own project.
A second principle we have started to discussion, and that I see addressed in the design and purpose of the training program, is “failing well.” The “About” page of the site explains that the concept of the program originates from experiences with MedArt, a digital collection of medieval art and architecture that was a great success in the first phase of its availability and use, but which over time had become less frequently used and updated. The Sustainability Roadmap doesn’t actually use the word “fail,” but I was still impressed that the training program had been developed through a process that began with their team’s recognition and acknowledgment of a project’s flaws and limitations, and then synthesizing and sharing real and applicable lessons from that experience.
Here are a few questions that I hoped we could discuss to compare our experiences as we worked through Module A:
1) What are some of the questions from any of the module that you would have expected, were already thinking about and/or felt well prepared to answer?
2) What are some of the questions, from any module, that you didn’t expect, and/or addressed issues that you had not (yet) been thinking about? Of these, which did you find:
- Helpful, inspiring or evocative? (I could also say “generative” but am tired of that word at the moment, no offense to anyone who likes it. Include it if it works for you, though.).
- Overwhelming, discouraging, or confounding?
- Not relevant or applicable to your project?
3) Our readings on project planning, most of which are addressed to software design projects, give quite a bit of attention to questions around who the end-users of our projects may be, and their experiences in using what we produce. In my post for last week I mentioned that I especially like the idea of thinking about who the users or “designated communities” of research findings might be, especially because with respect to my own work, it seems like a strong way of operationalizing my accountability to the people (youth, communities) that I’m ostensibly working with and for. I’ll add that I was fascinated and inspired to learn more about everyone else’s projects, and especially to see how many of you are working on projects that are very explicitly intended to be practical, useful tools and resources to benefit educators, students and others, within and beyond the academy. (And that’s not meant to imply criticism for anyone who’s projects focus more on studies and uses within the academy). To continue that conversation:
- Has your thinking about who your users or “designated communities” may be changed or evolved in the past couple of weeks?
- Are there new potential “unintended” communities that might use or benefit from your work?
Braelyn Hendricks
Braelyn is a 2nd year Ph.D. student in the Sociology Department at the Graduate Center. Her research interests are in science and technology, as well as inequalities, race, gender, sexualities, social change, and much more.
Braelyn works as a research assistant at the Ralph Bunche Institute for International Studies, investigating the political ideologies of the richest people in the technology industry. Simultaneously, she teaches at The City College of the City University of New York as a Graduate Teaching Fellow. Here, she developed two courses that had not previously been offered at this department: Science, Technology, and Identity, as well as Digital Sociology.
Braelyn has a Bachelor of Science in Chemistry with a Biology emphasis from the University at Albany, State University of New York. She has experience working in libraries at SUNY Albany as well as work at the Westchester County Laboratories and Research Environmental Lab. When she finds time, she indulges in too many hobbies including (but certainly not limited to) PC building, 3D modeling, sculpting, and epoxy resin craft. She has recently spent time building an ecommerce store and learning related skills such as search engine optimization (SEO) with a business partner.
Ryan McKinney
Ryan McKinney is a theatre artist, educator and emerging scholar working in theatre arts and performance. As an actor, director & theatre manager, he has worked at Manhattan Theatre Club, The Garden Theatre, Harbor Lights Theatre Company, The Contemporary American Theatre Festival and the touring productions of I Love You, You’re Perfect, Now Change and Forbidden Broadway.
Having taught at several colleges and universities, Ryan currently serves as a Professor of Theatre Arts at Kingsborough Community College where he is also the Director of the Theatre Arts program. He is the recipient of the Kennedy Center Gold Medallion for service to theatre education and the co-recipient of the ATHE/KCACTF Region 1 Prize for Innovative Teaching.
As an emerging scholar, Ryan’s work explores musical theatre and politics, global theories of actor training, and gay & lesbian representation on stage. A community college educator of twelve years, Ryan is also interested in theatre as social practice and civic engagement. He holds an MFA in Musical Theatre from San Diego State University, an MA in Theatre Studies from Hunter College and is a second-year, Level II student in the PhD Program in Theatre & Performance at The Graduate Center of the City University of New York.
Sandy Mui – Bio
Sandy is the digital communications assistant at PEN America, where she oversees and creates digital/web content across PEN.org.
Sandy’s background is in journalism, having covered a mix of topics in hard news, features, entertainment, opinion, and sports. Her interest in digital media expanded as she branched out in her writing and worked on social media, digital campaigns, websites, layout, podcasting, and e-newsletters. Before joining PEN America, Sandy was the communications associate at WITNESS and digital intern at Everytown for Gun Safety. Her current interests lie in supporting human rights and a free press.
Sandy has a B.S. in journalism and media studies from the Macaulay Honors College at Brooklyn College. In June 2019, Sandy received the Vanguard Prize in Journalism — a prestigious award given to a Brooklyn College journalism student for their commitment to protecting and advancing First Amendment rights. She is currently pursuing her M.A. in liberal studies — with a track in digital humanities — at the CUNY Graduate Center.

